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Spider-Man: Into the Spider-Verse Info
Release Date: 2018-12-14
|Original title||:||Spider-Man: Into the Spider-Verse|
|Directed by||:||Bob Persichetti, Peter Ramsey|
|Written by||:||Phil Lord, Steve Ditko|
|Starring||:||Brian Tyree Henry, Chris Pine, Hailee Steinfeld, Jake Johnson, John Mulaney, Jorma Taccone, Kathryn Hahn, Kimiko Glenn, Lake Bell, Lauren Vélez, Liev Schreiber, Lily Tomlin, Mahershala Ali, Marvin 'Krondon' Jones III, Melanie Haynes, Muneeb Rehman, Natalie Morales, Nick Jaine, Nicolas Cage, Oscar Isaac, Post Malone, Shameik Moore, Stan Lee, Zoë Kravitz|
|Production company||:||Columbia Pictures, Sony Pictures, Sony Pictures Animation, Marvel Entertainment, Pascal Pictures, Arad Productions|
|Distributed by||:||United States of America|
|Translations||:||Français, Español, English, Pусский, Magyar, ελληνικά, Italiano, български език, 한국어/조선말, Deutsch, Український, 普通话, Dansk, Português, עִבְרִית, Slovenčina, Lietuvių, Türkçe, 普通话, Català, svenska, Română, Srpski, suomi, Český|
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We thought Spider-Man used up the rope by unequal live action. We were wrong. Into the Spider-Vers gives Spider all its luster in an animated pop art movie, visually inventive, cleverly post-modern, hilarious and poignant.
In his first feature film, THE FIVE LEGENDS, Peter Ramsey had brilliantly applied the Campbellian Monomyths to the legends of childhood. For his second film, co-directed with Bob Persichetti and Rodney Rothman, he uses the same schema – even the same narrative – this time to re-explore the core of a major hero of pop culture: Spider-Man. The first intelligence of this Into the Spider-Vers, produced by Phil Lord and Chris Miller, is not to give the central role to Peter Parker but to Miles Morales, a Brooklyn teenager, son of an African-American policeman and a nurse. Puerto Rican. While New York regularly suffers strange earthquakes, Miles, who tags a subway wall with his uncle, is stung by a spider seeming to come from another world. Soon be endowed with powers that he thought were reserved for Spider-Man.
By shifting his gaze from Parker to Morales, making the first mentor of the second, Into the Spider-Vers performs on one side a pure act of transmission – textual and metatexual – opening Spider-Man to new social, political and family contexts; and on the other, tells the genesis of the Spider by offering an original point of view on its obligatory passages. Better still, the idea of ??multiverse allows an infinity of possibilities of re-readings and transformations, more or less radical and surprising, of the matrix work – the kind of a super-villain changes, for example. Resolutely post-modern, extremely playful with the fictional legacy he inherited, Into the Spider-Vers manages to comment and deconstruct the codes of Spider-verse without sinking into the annoying derision of DEADPOOL.
Especially as this desire to play with the rules of his universe and to crush them, Into the Spider-Vers also infuses it to its mechanisms of staging. Summoning an aesthetic of old comics (points, lines, printing defects, etc.) that refers to the pointillism of Roy Lichtenstein and more widely to Pop Art (visible bubbles, verbalized onomatopoeia, etc.), Ramsey, Persichetti and Rothman reinject inDecation and imagination. in the comic book movie. Into the Spider-Vers finds there a refreshing freedom, sometimes until experimentation – split or strangely fuzzy backgrounds; games on perspectives, horizontality and verticality; psychedelic access; Daniel Pemberton’s incredible score, from symphonic to hip-hop to jazz and concrete music. A wealth that has the supreme elegance of not serving vainly his virtuosity but characters, a story and his emotions. In his heart, Into the Spider-Vers is above all an adventure of friendship and heroism, a quest for identity and a search for otherness, a touching initiatory tale, a poignant family drama. Sweeping from laughter to tears, meta to the first degree, Into the Spider-Vers proves, booming, that the super-heroic genre is not destined to a rut of standardization.
Peter Ramsey, Bob Persichetti, Rodney Rothman. With the original voices of Shameik Moore, Hailee Steinfeld, Jake Johnson, Nicholas Cage, Bryan Tyree Henry, Mahershala Ali. United States. 1:50. Released on December 12